AS220 Darkroom

Recently in News Category

June 25, 2010 1:21 PM

Dinner Date in the Darkroom

Camera Head.jpg
In place of our regularly scheduled darkroom meeting, this Monday, June 28th at 7pm the Paul Krot Community Darkroom at AS220 will be hosting a very special Pot Luck Dinner and Open House! Yum!
Stop by and meet our friends, teachers and members, see our darkroom, see our work, and enjoy some tasty snacks! We promise, the secret ingredient isn't Fixer.
Totally free and open to all! Bring your friends! Bring a snack! Bring some work! Bring some questions. Bring it ON!!!
See you in the darkroom!

May 24, 2010 2:25 PM

Darkroom Open House TONIGHT!!

You heard right! In a mere four hours Denny Moers will be here, live, in the darkroom to show us how he does stuff like this:

0_01-2.jpg

and this:

006-2.jpg

And as if that weren't enough, after the demo Denny has some slides to show us. That's right, an ACTUAL COLOR SLIDESHOW!!!!
This is gonna be huge! Don't miss is, because I promise, you'll regret it. Plus, how could we possibly describe in words what Denny does with photos and chemicals and light? Not possible folks.
So get down to the AS220 Darkroom at 6:30pm. It's* totally free!* No excuses! Be there!!

May 21, 2010 12:34 PM

Monday Madness in the Darkroom! Denny Moers LIVE DEMO!!

002-2.jpg

That's right folks-Denny Moers will be in house giving a live demo of his photo printing technique that is responsible for the astounding images before you. Impressive, right? "How does he DO that?" you may wonder. Well, this is your chance to find out!

Gloucester XV (note for Olson) 2009 print 'A' .jpg

This Monday, May 24 at 6:30pm, Moers will provide a live darkroom demo followed by a slide presentation of more of his incredible and vivid work for our May Open House Event, which is, as always totally FREE and open to the public.

Denny's Bio:

Denny Moers is known for his highly imaginative, technically innovative monoprints created by controlling the action of light on the chemical-sensitized photographic paper during the print developing process, giving his black and white photographs an extraordinary range of tonalities. He has photographed subject matter as diverse as New England architecture, medieval wall frescoes and tomb reliefs, contemporary constructions sites and western landscapes and dwellings.

006-2.jpg

Denny Moers received his MFA from the Visual Studies Workshop. During the 1980's he worked as Aaron Siskind's first assistant and printer. He is currently on the faculty of Roger Williams University. He received a RI Pell Award for Excellence in the Arts in 2003.

His photographic monoprints are included in over 30 public and private collections throughout the world including the Addison Gallery of American Art in Andover, Ma., the Los Angeles County Museum of Art, the Baltimore Museum of Art; The Huston Museum of Art, the Bibliotheque Nationale, Paris, the Museum of Fine Arts, Boston, the Israel Museum in Jerusalem, the High Museum of Art in Atlanta, and the Museo Rufino Tamayo, Mexico City.

Gloucester XII (note for Olson).jpg
Recent publications include the portfolio: Between Now & Then-A selection of book covers with a foreword by CD Wright published in 2006 and COMPOSITION BY FIELD: An Olson Portfolio celebrating the 100th anniversary of the American poet, Charles Olson published by BoxKite Press, Australia in 2010.

His artwork is represented by the Robert Klein Gallery, Boston, MA., June Bateman Gallery, NY, NY and Thomas Meyer Fine Art, San Francisco, CA.

Prepare yourself for total photo awesomeness! See you in the Darkroom!

May 4, 2010 1:12 PM

Denny Moers in the Darkroom!!

08DennyMoersRedRockInBlue-1998AA_jpg.jpg

Like what you see?? Well come see it happen! On May 24, Photographer Denny Moers will give a live darkroom demonstration of his mind-blowing printing techniques. The image above began as a humble black and white print, but after Denny was done became the multi-colored, richly toned masterpiece before you.

Moers, who has covered topics from traditional New England architecture to sweeping landscapes has concieved a printing technique he calls "The Fluidity of Accidents," which evolves from the natural chemical reactions of metal toners to the silver in photographic paper. Using bright flashes of light and splashes of chemicals, Moers has created a truly unique pallet for traditional black and white prints.

Learn more about Denny Moers here!

The Paul Krot Darkroom at AS220 is pleased to have Denny in house for a live demo of this incredible technique and to offer it to you 100% FREE! That's right, we've got the goods and we're givin' it away...again!! That's Monday, May 24th at 6:30pm.

Hope to see you there!!

March 25, 2010 5:18 PM

Long Live the Library!!


As you may or may not know, we in the darkroom have been working with Rick Ring at the Providence Public Library Special Collections since December on a very special project that is starting to take shape right before our very eyes. Behold:



The images in the Glass Negative Collection have not been seen in close to 100 years, and we're getting a first hand history lesson in the ways of the past. Look at this:


Ice skating at Roger Williams Park anyone?
GN 4x5 0332.jpg


Perhaps you'd prefer a day at the beach:
GN 4x5 0346.jpg
Pretty amazing, right? Even the double exposures look good:
GN 4x5 0170.JPG
We are all so excited to be working with Rick and the PPL to help save this collection from utter obscurity and further deterioration. Once we work our way through the 3,000+ glass negatives at the PPL, we will start printing selected images in our very own darkroom, again recreating history and giving life to these incredible artifacts for the first time in almost a century. If you are interested in the Glass Negative Digitization and Preservation Project, please contact krystal@as220.org, or visit the Special Collections on the web.

February 25, 2010 11:26 AM

Weekend Art Party!

I hope you weren't planning on resting up this weekend, because there is so very much to see and do this weekend with two exhibits opening, featuring the work of our very own Darkroom members!
First up, Saturday night presents the opening of the one night only "Rethinking Landscape: New Approaches to a Tradition" curated by Danny Floyd. Check it out!
rethinkinglandscape.jpg
Then, on Sunday, roll out of bed by 5:30 and head to White Electric for a cup of coffee and take a look at the visual myth created by Scott Alario and Marguerite Keyes. "Our Winter Fable" is the story of a fictional culture and their celebration of the winter solstice. Pretty magical, eh? Check this out!
Thumbnail image for 2.jpg
Come see some art and support the work of your fellow photo comrades!

July 29, 2009 4:06 PM

Monday August 3rd Open House: Swix it!

01.jpg

Don't know what to do with that old 35mm you're not sure how to fix? Have one too many lenses in your equipment closet or photo junk pile? Bring it all to AS220 this Monday, 7pm at 115 Empire Street for a special Swap and Fix Open House! Join a crew of photo geeks and gear heads for some inside advice on how to use that weird looking camera you found in the garage or trade your once loved camera apparatus for some new-to-you inspiration.

And if you're looking for a real fixer upper, come and help us shine up the Eastman Kodak Century Camera, seen above in it's first public appearance in over 100 years! Bring wood polish, glass cleaner and WD40...while still in near perfect condition, this marvel of pre-modern technology is in need of some serious cosmetic TLC. We ran a roll of film through the camera, affectionately know as the Jumbotron last week, and you may be surprised by the results. Come see history in the re-making!

Darkroom Open Houses are held every first Monday of the month, and is a great opportunity to come see the facilities and get to know the people who use them. Each month we discuss a different topic or hold a special event, so there's always a reason to show up, and this month is no exception! One photographer's trash is another's treasure, so don't ditch that old flash and dig up that defunct Polaroid, cause we're gonna Swix it!

December 11, 2008 1:16 PM

New Photography Workshops for January 2008

Classes available online at the AS220 store right now! xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
Intermediate Printing Class $250
Instructor: Stewart Martin
Six week course (18 hours)

This course is designed for those with some experience printing black & white looking to further hone their skills. Classes covered setting up a darkroom, mixing and tweaking chemistry, contrast control, dodging, burning, flashing, washing, toning, spotting, print finishing, breaking down a darkroom and exhibiting your work. The objective: to master the scientific in order to explore the creative.

Class instructor Stewart Martin is a professional printer and photographer working in the field of traditional photography for over twenty-five years. His early printing experience included edition printing for Larry Clark, Bruce Davidson and Larry Fink. Although events and portraits are the bulk of his commercial work, he also does a specialized type of photography of the eye for ophthalmologists. He lives and works in Providence with his wife and daughter.

DATES: Tuesdays, 6:30PM-9:30PM January 13th, 20th, 27th February 3rd, 10th, 17th COST: $250 (not including supplies)

carspray.jpg xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

January 10th & 11th - Pinhole Photography workshop $100 Pinhole Photography Workshop Instructors: Scott Lapham & Stephanie Ewens

This low tech, lens-less, primitive approach to photography embraces the elements of chance and imperfection to make always interesting photographs. We will first make our own pinhole cameras from card board, tape and an aluminum can. Students are encouraged to bring in containers to be made into cameras or supplies will be available from which cameras can be made. We will then create paper negatives to be printed into pin hole photographs in our darkroom. Our downtown Providence location provides a fantastic environments for making pin hole photos inside or outside.

Stephanie is a documentary photographer who began her photographic career in California studying at San Francisco State University after receiving a B.A. in Economics from Santa Clara University. This spring she completed the graduate program at the Salt Institute for Documentary Studies for Photography. While living in California, she worked for two San Francisco Bay Area papers and since moving to Rhode Island in 2003, her images have appeared in many local publications including Providence Business News and Rhode Island Monthly.

Scott graduated Rhode Island School of Design in 1990 with a BFA in photography. He is an artist, teacher and freelance photographer. His work with AS220 started in 1995 with the co-founding of the AS220 Community Darkroom. In 2001 he founded Photographic Memory, a youth photography program engaging the under-served youth in the Rhode Island Training School (RI's juvenile detention facility), Group Homes and the wider youth community. Committed students from Photographic Memory learn to assist Scott on freelance photography jobs giving them valuable opportunities to experience professional photography work.

DATES: Saturday & Sunday January 10th & 11th 2009 12-4pm COST: $100 (not including supplies)

pinhole.jpg xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

January 17th & 18th - Lo Tech Photography for Young People $100.00 Lo Tech Photography for Young People (suggested ages 11-14) Instructors: Scott Lapham and Chandelle Wilson

In this instructive parent friendly workshop children will spend the weekend making photograms, a camera obscura and pinhole cameras. First students will be introduced to our traditional black and white darkroom where they will make Photograms by placing objects like coins, small stuffed animals and keys on light sensitive paper to make black white and grey toned silhouetted images. Next we will create a camera obscura by darkening our class room and creating a natural inside projection of the outside street scape. Finally we will make pinhole cameras to take our own pinhole photographs.

DATES: Saturday & Sunday January 17th & 18th 10am-2pm COST: $100 (not including supplies)

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

January 19th, 26th & February 2nd - The Black and White Darkroom $150.00 Intro to Photo Workshop Two Instructor-Gail Porter

Students will learn to develop their own film and to print their own photographs in AS220's state of the art, well ventilated darkrooms. Being able to control the contrast of a print and to apply the simple techniques of burning and dodging can make a big difference in ones ability to create a print that sparkles as opposed to one that just shines. The course is geared toward those who use 35mm, or medium format cameras, (including Holgas).

DATES- Mondays 6:30-9:30 January 19th, 26th & Feb 2nd COST-$150 (not including supplies)

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

January 31st - Alternative Photo Workshop $75.00 ALTERNATIVE PHOTO WORKSHOP Instructor: Olivia B. McCullough

Printing with Cyanotype and Van Dyke Brown Emulsions

In this workshop students are introduced to a number of non-camera generated imaging techniques: pinhole, cliche-verre, photograms, digital negatives; learned how to make photographic emulsions, and to coat papers and alternative surfaces. The workshop features 19th century techniques, including both Cyanotype and Van Dyke Brown demonstrations and labs. A fun, yet challenging, alternative to traditional B&W, color and digital!

Olivia McCulllugh, a graduate of RISD, has taught alternative photography for over 20 years, including classes at the University of Connecticut, RISD, and most recently at Northeastern University. She has conducted both children and adult workshops and has received 3 grants from the Rhode Island State Council for the Arts.

DATES: Saturday January 31st COST: $75 ( not including supplies)

Orleton farm2 copy.jpg xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

January 5th & 12th - 35mm Camera: Everything You Wanted to Know $100.00 Intro to Photo Workshop One Instructor-Gail Porter

Take the mystery out of the terms and usages of aperture sizes, f-stop numbers, shutter speeds, ISO numbers, focal length, synchronization speeds and any other aspect of the 35mm camera that you have ever wondered about We will take the camera off the automatic mode, and learn about the creative possibilities that exist once exposure is fully understood.

This is a non-darkroom class and is therefore open to anyone shooting black and white or color film. A 35mm camera with automatic override, and one roll of film and its processing will be required.

DATES- Mondays 6:30-9:30 January 5th & 12th COST-$100 (not including supplies)

November 26, 2008 12:43 PM

Broad Street Studio Visuals and Photo Mem Youth Showing Art at Tazza Cafe This Friday

This Friday, November 28th from 2pm to 5pm Providence's "BUY ART" campaign is hosting creative cookie design downtown at Tazza Caffe, 250 Westminster Street. AS220's Broad Street Youth will have original works of art displayed and for sale. Come by, show your support, eat cookies.

Thumbnail image for Cullina 06.jpgThumbnail image for Cullina 02.jpgThese images are triptychs printed from photographs by the students in the Photographic Memory program.

They are in editions of twenty and are currently available in two sizes:
7x18" = $30
16x40 = $600
other images available

September 22, 2008 5:31 PM

Alternative Photo Workshop

Orleton farm2 copy.jpg Alternative Photo Workshop: Printing with Cyanotype and Van Dyke Brown Emulsions

Working with 19th century emulsions, students will be introduced to a number of non-camera generated imaging techniques, learn how to make photographic emulsions and coat their own paper. This hands-on approach enables the students to coat alternative surfaces and break from the constraints of manufactured photo products. Fun, yet challenging, this workshop is an alternative to traditional B&W, color and digital materials.

Morning session:

Introduction to the 19th century processes. Show work and slides. Discuss and demonstrate non-camera imaging methods: pinhole negs, cliche-verre, photograms, digital negatives. Cyanotype demonstration

Afternoon Session

Cyanotype Lab. Includes selective coating, toning cyanotypes and the use of alternative surfaces. Van Dyke Brown demonstration and lab. Workshop will include chemistry and a variety of alternative coating surfaces will be available.

Images that can be scanned or contact printed. These can include photographic prints, collage, or photogram materials, two 2or 3" foam brushes, wathercolor paper, not larger than 11x14" ( cold press for softer focus, hot press for sharper images.

Olivia B. McCullough, a graduate of RISD, has taught alternative photography for over 20 years, including classes at U. Conn, RISD, and most recently at Northeastern University. She has conducted both children and adult workshops and has received 3 grants from the Rhode Island State Council for the Arts. Her work will be included in the upcoming exhibit, 'Photography Now', at the Grimshaw-Gudewicz Art Gallery at Bristol Community College, Fall River, MA. The exhibition runs from October 16th- Nov 19th.